The High Cost of Rocking Out: Why SODOM's Tom Angelripper is Stepping Back from the Stage
In a recent heart-to-heart with This Day In Metal, SODOM's iconic bassist and vocalist, Thomas 'Angelripper' Such, opened up about his decision to hit pause on the band's touring life—a move that’s as much about family as it is about finances. But here's where it gets controversial: is the music industry pushing artists too hard, or is this just the natural evolution of a rockstar's career? And this is the part most people miss: the staggering costs and logistical nightmares of touring, especially in the U.S., are forcing even legends like Angelripper to rethink their priorities.
Angelripper, now 63, isn’t exactly retiring. He’s just choosing to spend more time with his adult children, dive into re-releases with BMG, and even pen new lyrics. 'You never can stop it,' he says about his creative drive. 'The only thing I stop is touring and all that stuff.' But let’s be real—touring isn’t just exhausting; it’s expensive. Especially in the U.S., where visa processes are a bureaucratic nightmare and costs can skyrocket to $2,000 per person just for work permits. 'It’s very expensive,' he laments, pointing out the irony that American bands face no such hurdles when touring Europe.
Here’s the kicker: Angelripper isn’t alone. Many international artists are skipping U.S. tours due to the financial and logistical risks. Is this a sign of a broken system, or just the price of playing on the global stage? Angelripper’s candid reflections on aging, health, and the freedom to choose how he spends his time raise bigger questions about the sustainability of the rockstar lifestyle. His doctor advised him to slow down, and he’s taking that advice to heart—literally. 'I’m still healthy, I’m still creative,' he assures fans, but he’s also clear: 'I don’t wanna waste so much time traveling around.'
So, what’s next for Angelripper? He’s embracing a simpler life—hunting, family time, and maybe even just sitting with a cup of coffee. But don’t count him out just yet. 'I’m sure I’m coming back one day,' he says. The question is, will the industry be ready for him when he does? What do you think? Is the music industry doing enough to support aging artists, or is it time for a change? Let’s discuss in the comments!
